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Choreographic Captures

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Title:
AS60
 
 
Production year:
2016
Running time (sec.):
60
Copyright by:
Shumpei Nemoto
Director:
Shumpei Nemoto
Choreographer:
Shumpei Nemoto
Performer(s):
Adam Schütt
 
 
Description:
Awardee 8th international CHOREOGRAPHIC CAPTURES competition

3rd price + cinema price

Jury decision:
A male dancer enters into a symbiotic dialogue with the camera – in “AS60”, a light body repeatedly appears out of the darkness into the image. The soundscape orchestrates how the man rushes past. Rhythmically, like a painting that has been set into movement, a body and a face, that is contorted in effort, rise up and then disappear out of sight. In his Choreographic Capture Shumpei Nemoto manages to meld the movements in the recording and choreography into simultaneously cinematically and choreo-graphically surprising tableaux mouvants.
The jury awards one of the 3rd prizes and a cinema prize to “AS60” by Shumpei Nemoto for the physical energy that creates constantly developing dynamics in the interaction between the dancer and the camera.

The Filmmaker:
'AS60' shoot at 96fps (slow motion) while camera person swinging the camera side to side constantly.
It came out as the result of the experimentation in the collaborative/choreographic process with dancer and camera person.
There is no visual effect involved in editing process except little correction of the position, speed and the order of the video footage.
 
 
Shumpei Nemoto
Japan - Japanese Shumpei Nemoto is a choreographer, teacher and video maker. He danced professionally across Asia and Europe. Since 2010, he has been active as a choreographer and a teacher. As a video maker, his works have been screened at several international dance film festivals such as agite y sirva – Festival Itinerante de Videodanza (Mexico), Sinema Dans (Ankara), Screen Dance Festival (Stockholm), Cinedans (Amsterdam), Loikka dance film festival (Helsinki), danca em foco – Festival Internacional de Vídeo & Dança (Brazil) and the International Dance Film Festival (Brussels).